Culture Economy

Stories where Black culture, entertainment, media, influence, and visibility reveal deeper questions of money, ownership, labor, and power.

Editorial illustration of a Black beauty entrepreneur hosting a TikTok-style livestream with cosmetics, shopping checkout screens, and sales analytics, exploring Rihanna's live-commerce strategy.

Culture Economy

October 14, 2026

Rihanna Turned a TikTok Live Into a Storefront. That Changes the Economics of Celebrity Attention.

Beyoncé’s Cécred haircare represented through premium white beauty products, a retail distribution agreement, London beauty retail, and logistics infrastructure illustrating the economics of ownership and global distribution.

October 2, 2026

Beyoncé Funded Cécred Herself. Now the Real Test Is Global Distribution.

Black woman consulting a physician, with insurance paperwork, a calendar and an appointment phone screen illustrating the economic burden of fibroid care.

September 19, 2026

Porsha Williams’ Fibroid Emergency Points to a Bigger Economic Cost for Black Women

Colin Kaepernick and Jay-Z representing protest, cultural influence and institutional control in the NFL.

September 18, 2026

Kaepernick Says Jay-Z Gave the NFL Something It Couldn’t Own: Black Cultural Legitimacy

Black Memphis pitmaster tending barbecue ribs inside a multigenerational restaurant, with sauce bottles, shipping boxes and business documents representing ownership, distribution and succession.

September 9, 2026

Memphis Barbecue Has Deep Black Roots. Who Owns the Business It Became?

Editorial image showing a music catalog as the central intellectual property asset generating value through live events, premium television, merchandise, licensing, and distribution.

September 4, 2026

Jay-Z’s HBO Series Shows How Old Music Creates New Value

Black breaker competes in a grassroots breaking battle as arena lights, broadcast cameras, and sponsor infrastructure loom behind the circle, illustrating the tension between cultural ownership and outside commercial capital.

August 20, 2026

Breaking Made the Olympics. The Culture Didn’t Control the Upside.

Megan Thee Stallion reviewing music assets in a recording studio as master ownership remains with her and Interscope handles global distribution.

August 18, 2026

Megan Thee Stallion Kept Her Masters. Interscope Gets Distribution.

July 14, 2026

Khaby Lame’s $975 Million Deal Shows the Creator Economy Is Moving From Followers to Ownership

Jay-Z performing before a packed Yankee Stadium audience with economic modules highlighting ownership, audience, upside, and distribution.

July 12, 2026

JAŸ-Z’s Yankee Stadium Record Shows the Business Power of Owned Legacy

Editorial image showing a framed portrait of a young Black student-athlete beside an evidence bag, autopsy report, legal notes, invoices, and a Mississippi Gulf Coast map.

July 11, 2026

The Cost of Getting Answers: Nolan Wells, Private Autopsies, and the Price of Justice